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Metal Gear Solid 3’s storytelling is like a rollercoaster of emotions.

The traps during The Fear fight really caught me off guard!

The camouflage system was such a cool way to blend into the environment.

The landscape of the jungle added so much depth to the stealth mechanics.

Loved the dialogue between Snake and Sigint, especially about weapons.

The soundtrack in Snake Eater is an absolute masterpiece.

Eva’s character is so multi-faceted, you never know what she’s thinking.

No other game had such a unique approach to storytelling like MGS3.

The Boss and Snake’s relationship is one of the most compelling stories in gaming.

Snake’s journey through grief in MGS3 is something that stays with you.

The Cobra Unit made each boss fight feel like a true test of skill.

The Cobra Unit fights felt like epic final showdowns each time.

Codec calls add so much depth to the story and gameplay.

Fighting The Pain felt like being swarmed by real hornets, it was relentless.

Kojima is a genius for creating a game that blends action and emotion so well.

MGS3’s boss fights always keep you on edge, no idea what’s coming next.

I loved all the little details in Snake Eater, like how Snake would comment on food.

Codec calls not working sometimes really heightened that sense of isolation.

Eva and Snake’s partnership always had me guessing her true intentions.

Snake’s journey through grief is so real, you feel his pain.

Pointless video

shitty commentary youtuber background footage (cs surf too)

Found this video through a RUclips AD and this is amazing

It’s amazing how the Cobra Unit represents different stages of grief.

The camouflage system was both a blessing and a curse, never knew which one to pick!

MGS3’s gameplay loop is so satisfying with how you have to adapt to survive.

The Fear’s boss fight really gave me the creeps, especially with the poison darts.

No other MGS game made me feel as tense as MGS3.

Kojima’s storytelling in this game was ahead of its time.

Snake Eater’s survival viewer made every injury feel so real and urgent.

Codec calls make you feel connected to your team, even if they’re miles away.

I think the healing system in the survival viewer was so innovative!

Snake’s relationship with The Boss is just so tragic and layered.

The game’s pacing is perfect, slowly building tension with each new boss encounter.

The Virtuous Mission set the tone perfectly for what was to come.

The feeling of isolation in the jungle is so palpable.

Can we talk about the cutscenes? They’re like mini-movies!

Always felt bad for Snake when he’s trying to contact someone and gets no answer.

>media literacy Nobody cares about violence in Hotline Miami as something to think about, nobody cares about the muh "message". What everyone likes is top tier arcade adrenaline rush and writing that sticks with many. "Oh no I just killed everyone in this building and have to walk back through corpses and blood" said nobody ever

When analyzing the names of the bosses, it's important to remember The Boss's Cobra Unit codename as well as the original name planned for The End. The End was originally meant to be named The Doom, but was changed very late in development due to the game releasing close to a Doom series game and KojiPro didn't want a controversy. Doom, or despair, fits perfectly in the stages of grief where The End lies. The Boss's original codename in the canon was The Joy. In a way, her being at the end best represents overcoming grief/acceptance. Or at least recognizing the joy of what once was. Eventually, snake does overcome the grief of losing the boss. At the end of Peace Walker, he comes to the conclusion that The Boss was wrong (she wasn't) and decides to finally let go of her in his heart. And only after that moment does he accept the title of Big Boss.

Third time rewatching, one of the best written and explained video essays I’ve ever seen. Encapsulated everything about the message and discord around it. Well done man, hope your channel takes off

Love & Forgetting actually got made into a Hotline Miami 2 level editor campaign complete with multiple endings, but only a pseudo-cityscape to move around in. From what I've seen it's very well-made, but has the concession of being reduced to what the level editor allows.

Ehh not necessarily. Maybe the cardboard box is just returning to nature, to be with it's brethren. Its going home. Theres often roaming heards of cardboard boxes in the jungles of Russia.

Engagement

Cyberpunk is just a massive half made game. what piece of garbage decided to add brain dances that you can buy but not use? the cars even after all this time are still janky boring and dont have a realistic turning radius not to mention if they go on two wheels they get REALLY squirrely

Ong

I will watch this once i actually play the games lol. I watched way too many metal gear videos without actually playing the games except Metal gear rising: Revengeance. I want to get the collection on steam.

Thank you for buying an ad. Peak video btw

Great review. You hit on really important points I haven’t seen many other reviewers cover.

Well the gameplay definitely did evolve in the end